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Alice, The Virtual Reality Play: When the Real and the Virtual…
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Ravenous: Marketing a Horror Movie in the Social Media Era
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Children’s Media Habits: An In-Depth Analysis
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Marie-Claude Beauchamp: Youth Production on a Global Scale
October 11, 2018
The Doc Uptick: In a Post-Truth World, Documentary Comes to the...
October 4, 2018
How and Why Creators Are Staying in Canada
September 24, 2018
Focus on the Artists with imagineNATIVE Festival
September 7, 2018
Ctrl V: Bringing VR to the Masses
August 24, 2018
Can the initial buzz surrounding a crowdfunding campaign guarantee its success?
August 15, 2018
Felix & Paul Studios: Explorers of the Immersive Entertainment
August 9, 2018
Will virtual reality conquer the Canadian mass market?
July 27, 2018
Out to Conquer Canadian TV Viewers: Online Television Vs. Conventional Television
July 11, 2018
The Blockchain’s Building Blocks for the Entertainment Industry
June 28, 2018
When The World Is Your Market: Globalized Media from a Canadian...
April 19, 2018
Four Defining Characteristics of Digital Canada
April 17, 2018
TV Formats: Riskier Productions That Present Higher Rewards
April 5, 2018
Managing Film and TV Industry Transformation: Perspectives from Broadcasters and Producers
March 27, 2018
Ravenous: Marketing a Horror Movie in the Social Media Era
March 15, 2018
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